Steyerl, pithy as ever, on ‘Politics of Art: Contemporary Art and the Transition to Post-Democracy’ in e-flux Journal 21

I am certainly not arguing for a position of innocence.9 It is at best illusory, at worst just another selling point. Most of all it is very boring. But I do think that political artists could become more relevant if they were to confront these issues instead of safely parade as Stalinist realists, CNN situationists, or Jamie-Oliver-meets-probation-officer social engineers. It’s time to kick the hammer-and-sickle souvenir art into the dustbin. If politics is thought of as the Other, happening somewhere else, always belonging to disenfranchised communities in whose name no one can speak, we end up missing what makes art intrinsically political nowadays: its function as a place for labor, conflict, and…fun—a site of condensation of the contradictions of capital and of extremely entertaining and sometimes devastating misunderstandings between the global and the local.

http://www.e-flux.com/journal/politics-of-art-contemporary-art-and-the-transition-to-post-democracy/

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